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The Top 5 Best Moments of SUPERGIRL Season One

BY Matthew Guerruckey

Published 8 years ago

The Top 5 Best Moments of SUPERGIRL Season One

On Monday night, Supergirl will air the final episode of its first season, a season that has deeply divided fans and critics alike. Many who tuned into the pilot episode, which premiered on October 26th 2015, thought the show was weak, with unconvincing action and stock characters. And they weren’t wrong. If anything, Supergirl’s first season has shown just how quickly, and dramatically, a series can improve from its initial episodes.

Supergirl’s saving grace, even in that clunky pilot episode, was its lead, Melissa Benoist. Benoist lends Kara Zor-El a charm and charisma that buoys the show through occasionally bad dialogue cheesy, plot devices, and lame supervillains.

So, appropriately, this list of the Top 5 best moments from Supergirl Season One showcases the wide range of what Benoist brings to the series. She’s alternatingly charming, funny, and emotionally resonant in ways that are surprising for a superhero series. That emotion has set Supergirl above the other Greg Berlanti superhero series, Arrow and The Flash. Those series have been more consistent than Supergirl, but they’ve never been as moving as Supergirl at its peak.

But, in answer to those who have not yet been won over by Benoist’s charm, it’s interesting to note what I have not listed here. There will be no mention in the list of the love triangle between Kara, Jimmy Olsen, and Winn—the least intriguing storyline of the series. Also, there are precious few appearances from the Rogue’s Gallery here, and that’s because Supergirl has been unable to produce many truly memorable villains for Kara to battle against. Of the recurring villains, only Astra brought real emotional heft to the series, because of her family connection to Kara. But Non, Indigo, Livewire, and Silver Banshee are all underwhelming, and action sequences continue to be the weakest element of the series.

Additionally, I should mention that the much-hyped (and well-rated) cross-over episode that brought the CW’s The Flash to National City didn’t work for me, so that doesn’t make an official appearance on the Top 5 either, but it would be foolish not to mention it at all, since it’s the one thing that comic fans would remember about Supergirl should it fail to be picked up for a second season.

I’ll say this about the episode—both Benoist and Grant Gustin, who plays The Flash, were having an infectious amount of fun. If only the episode hadn’t become bogged down in unconvincing stunt work and bad speed-related puns, it might very well have topped the list.

But, for the strengths that the episode did have, I’ll include an honorable mention—call it moment 5.1—the moment where Jimmy and Winn meet Barry for the first time, and he zips out of the room and and returns in an instant, depositing fresh ice cream cones in Kara and Jimmy’s hands, as Kara nerdishly exclaims, “Yesss!” It’s a prime example of Supergirl at its best, having fun with its outlandish concept, and showcasing Kara at her most adorkable.

 

https://www.youtube.com/watch?v=7dc46DPEymA

Episode 15, “Solitude”: Alex Confesses to Killing Astra

“I was afraid of losing you … and I can’t lose you.”

In “For the Girl Who Has everything”, Kara’s step-sister, Alex, killed Kara’s biological aunt, Kryptonian prison escapee Astra, to prevent Astra from killing J’onn. At the end of that episode, Alex is about to make her difficult confession to Kara when J’onn steps in and takes the blame.

Alex’s guilt stews for two episodes, as Kara’s anger with J’onn causes their working relationship to fall apart. Finally, at the end of “Solitude”, Alex tearfully confesses to her sister, saying that she let J’onn take the blame because she was afraid of losing her. It’s a moment that’s at once large and small—big emotions, bombastic music, and yet defined more by small gestures and expressions. The best moment in the scene is where Alex, when it seems like Kara is going to walk away from her, looks at J’onn and throws up her hand in defeat. She had to tell the truth, regardless of its consequences. That’s not a moment that’s necessary for the story, but it connects us to these characters as real people. It’s an actor’s moment, and Chyler Leigh, Harewood, and Benoist have, by this point in the series, built a tremendous chemistry together.

And that chemistry helps sell the gesture at the end of the scene, as Kara extends her hand to J’onn, a gesture of reconciliation that unites then, again, as a family. Of course Kara can’t abandon Alex, anymore than Alex could have abandoned J’onn on that rooftop.

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