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The Top 5 Best Moments of SUPERGIRL Season One

BY Matthew Guerruckey

Published 8 years ago

The Top 5 Best Moments of SUPERGIRL Season One

On Monday night, Supergirl will air the final episode of its first season, a season that has deeply divided fans and critics alike. Many who tuned into the pilot episode, which premiered on October 26th 2015, thought the show was weak, with unconvincing action and stock characters. And they weren’t wrong. If anything, Supergirl’s first season has shown just how quickly, and dramatically, a series can improve from its initial episodes.

Supergirl’s saving grace, even in that clunky pilot episode, was its lead, Melissa Benoist. Benoist lends Kara Zor-El a charm and charisma that buoys the show through occasionally bad dialogue cheesy, plot devices, and lame supervillains.

So, appropriately, this list of the Top 5 best moments from Supergirl Season One showcases the wide range of what Benoist brings to the series. She’s alternatingly charming, funny, and emotionally resonant in ways that are surprising for a superhero series. That emotion has set Supergirl above the other Greg Berlanti superhero series, Arrow and The Flash. Those series have been more consistent than Supergirl, but they’ve never been as moving as Supergirl at its peak.

But, in answer to those who have not yet been won over by Benoist’s charm, it’s interesting to note what I have not listed here. There will be no mention in the list of the love triangle between Kara, Jimmy Olsen, and Winn—the least intriguing storyline of the series. Also, there are precious few appearances from the Rogue’s Gallery here, and that’s because Supergirl has been unable to produce many truly memorable villains for Kara to battle against. Of the recurring villains, only Astra brought real emotional heft to the series, because of her family connection to Kara. But Non, Indigo, Livewire, and Silver Banshee are all underwhelming, and action sequences continue to be the weakest element of the series.

Additionally, I should mention that the much-hyped (and well-rated) cross-over episode that brought the CW’s The Flash to National City didn’t work for me, so that doesn’t make an official appearance on the Top 5 either, but it would be foolish not to mention it at all, since it’s the one thing that comic fans would remember about Supergirl should it fail to be picked up for a second season.

I’ll say this about the episode—both Benoist and Grant Gustin, who plays The Flash, were having an infectious amount of fun. If only the episode hadn’t become bogged down in unconvincing stunt work and bad speed-related puns, it might very well have topped the list.

But, for the strengths that the episode did have, I’ll include an honorable mention—call it moment 5.1—the moment where Jimmy and Winn meet Barry for the first time, and he zips out of the room and and returns in an instant, depositing fresh ice cream cones in Kara and Jimmy’s hands, as Kara nerdishly exclaims, “Yesss!” It’s a prime example of Supergirl at its best, having fun with its outlandish concept, and showcasing Kara at her most adorkable.

 

https://www.youtube.com/watch?v=7dc46DPEymA

Episode 7, “Human for a Day”: The Martian Manhunter Reveals Himself

“I am the sole survivor of my planet. The last son of Mars. My name is J’onn J’onzz.”

We’d known since the pilot that Hank Henshaw, stern director of the DEO, was an alien—or, least, some sort of creature whose eyes glowed red toward the camera whenever other people weren’t looking. It begged the question of exactly which kind of alien Henshaw actually was, but for long-time comic book readers, it was clear: he was Martian Manhunter, aka J’onn J’onzz, a shape-shifting alien, and a character that hadn’t been given much attention in live-action DC Comics franchises.

But then the show let the mystery linger. And linger. And linger. Hank’s true identity was typical, in many ways, of the sloppy execution of the first half of this first season of Supergirl: a mystery that, in many ways, was not a mystery at all. So it was a relief when the Manhunter finally revealed himself to Alex in the seventh episode, “Human For a Day”.

The reveal was a sign that the series was willing to speed up its storytelling, an instinct which led to a string of very strong mid-season episodes.

But the power of the moment lies in David Harewood’s understated performance. He has a juicy monologue, one that any actor would love to get his hands on, but he doesn’t go big with it. J’onn’s story in simple, and moving, and immediately tells us not only who he is as a character, but lets us (and Alex) see exactly what kind of man Jeremiah Danvers was—a man noble enough to inspire a stranger from another world to spend a lifetime looking after his daughters.

And the reveal itself is just perfect comic book cool. The skin around J’onn’s eyes crack, as if he’s coming out of his shell, and the low-angle shot of Alex lets the Manhunter tower over her, making him a stately presence. Revealed at last, the Martian Manhunter instantly became one of the best things about the series.

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